{"id":6525,"date":"2018-10-08T14:21:37","date_gmt":"2018-10-08T12:21:37","guid":{"rendered":"http:\/\/danielgoyone.com\/?page_id=6525"},"modified":"2018-10-08T14:21:37","modified_gmt":"2018-10-08T12:21:37","slug":"biographiepresse","status":"publish","type":"page","link":"https:\/\/danielgoyone.com\/fr\/biographiepresse\/","title":{"rendered":"Biographie Pour presse"},"content":{"rendered":"

[vc_row content_placement=\u00a0\u00bbmiddle\u00a0\u00bb iron_row_type=\u00a0\u00bbfull_width\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bb\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bb\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bbparallax\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1532355321985{padding-top: 165px !important;padding-bottom: 165px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00a0\u00bb][vc_column][\/vc_column][\/vc_row][vc_row iron_row_type=\u00a0\u00bbfull_width\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bbtabletnopadding\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bb\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bb\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1452106591529{padding-right: 10px !important;padding-left: 10px !important;}\u00a0\u00bb][vc_column][vc_row_inner iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1532356283196{background-color: #000000 !important;}\u00a0\u00bb][vc_column_inner width=\u00a0\u00bb1\/2″][vc_custom_heading text=\u00a0\u00bbDaniel Goyone –
\n\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|font_size:18px|text_align:justify|color:%23dddddd|line_height:11px\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:900%20bold%20regular%3A900%3Anormal\u00a0\u00bb fit_bg_text=\u00a0\u00bb0″ el_class=\u00a0\u00bb.costumespacing1″ css=\u00a0\u00bb.vc_custom_1532611675943{margin-bottom: -15px !important;}\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1535979198683{margin-right: 4px !important;}\u00a0\u00bb]Depuis son premier disque paru en 1982, Daniel Goyone a d\u00e9velopp\u00e9 un <\/span>univers de compositeur \u00e0 l’\u00e9cart des <\/span>classifications musicales habituelles.<\/span><\/p>\n

Pianiste issu du monde du jazz, il a ensuite \u00e9t\u00e9 influenc\u00e9 par sa pratique de musiques latino-am\u00e9ricaines (cubaine et br\u00e9silienne) et indiennes (une longue collaboration avec le percussionniste Trilok Gurtu).<\/span><\/p>\n

Parall\u00e8lement, Daniel Goyone est un des pionniers de l’extension de la p\u00e9dagogie du jazz (livres et masterclasses) dans les\u00a0 domaines du travail du rythme, de l’utilisation approfondie des modes, ou de la composition.<\/span>[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1533127874439{margin-left: 4px !important;}\u00a0\u00bb]Sa musique -dans laquelle se retrouvent parfois des \u00e9chos de la musique classique fran\u00e7aise- t\u00e9moigne d’une \u00e9criture travaill\u00e9e et \u00e9pur\u00e9e. Elle concilie le go\u00fbt de la m\u00e9lodie avec une recherche sur l’utilisation de modes ou cycles rythmiques. L’improvisation y est pr\u00e9sente, non comme une finalit\u00e9, mais pour servir au mieux les compositions. <\/span><\/p>\n

La singularit\u00e9 de cette d\u00e9marche explique la diffusion de la musique dans des domaines tr\u00e8s divers : interpr\u00e9t\u00e9e par des chanteurs (Claude Nougaro, David Linx, …), des groupes de Jazz (Orchestre national de jazz), des formations de musique de chambre (Orchestre des Concerts Lamoureux); ou encore de fr\u00e9quentes utilisations comme indicatif radio\/t\u00e9l\u00e9 ou comme musiques pour le cin\u00e9ma, le cirque et le th\u00e9\u00e2tre.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb5602″ img_size=\u00a0\u00bbfull\u00a0\u00bb img_fullwidth=\u00a0\u00bb0″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row iron_row_type=\u00a0\u00bbin_container\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bbtabletnopadding\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bbmobilenopadding\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bb\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1432916017400{padding-right: 8px !important;padding-left: 8px !important;}\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbA propos des CD
\n\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|font_size:18px|text_align:left|color:%23dddddd|line_height:12px\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:900%20bold%20regular%3A900%3Anormal\u00a0\u00bb fit_bg_text=\u00a0\u00bb0″ el_class=\u00a0\u00bb.costumespacing1″ css=\u00a0\u00bb.vc_custom_1532611685518{margin-bottom: -15px !important;}\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_row_inner iron_bg_video=\u00a0\u00bb\u00a0\u00bb][vc_column_inner width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb.vc_custom_1530796968961{margin-left: 4px !important;}\u00a0\u00bb][\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1533129453624{margin-right: 4px !important;}\u00a0\u00bb]<\/p>\n

Il est un paradoxe savoureux dans l’art de Daniel Goyone: l’on se prend \u00e0 vouloir fredonner ses m\u00e9lodies, en d\u00e9pit d’une complexit\u00e9 r\u00e9elle. <\/i>(Jazz Hot)<\/b><\/span><\/p>\n

C’est un musicien qui me fascine… Il y a une spiritualit\u00e9 qui m’a toujours plu. Une odeur Guerlain d’ange, qui flotte. <\/i>(Claude Nougaro)<\/strong>
\n<\/i><\/span><\/p>\n

Une musique r\u00eaveuse et nostalgique, comme tendue vers un r\u00eave de r\u00e9conciliation: le jazz et le classique fran\u00e7ais, l’outrance intellectuelle et la na\u00efvet\u00e9 romantique, le populaire et l’\u00e9litiste. <\/i>(Le Figaro)<\/b><\/span><\/p>\n

Une exigence extr\u00eame au niveau de la conception associ\u00e9e \u00e0 une fluidit\u00e9 d’ex\u00e9cution totale.<\/i> (Piano Magazine)<\/b><\/span><\/p>\n

A chaque disque de Daniel Goyone, c’est la surprise et l’\u00e9merveillement.<\/i> (Jazz Magazine)<\/strong><\/span><\/p>\n

Daniel Goyone accumule avec un sens consomm\u00e9 de la raret\u00e9 des albums de n\u00e9cessit\u00e9 absolue. <\/i>(JazzMan)<\/b><\/span><\/p>\n

Il atteint la simplicit\u00e9 mais sa musique n’a rien de simpliste; l’humour est souvent au coin de la phrase musicale. <\/i>(La Tribune)<\/b><\/span><\/p>\n

Sans cesse en \u00e9quilibre entre esprit de finesse et esprit de g\u00e9om\u00e9trie. <\/i>(Les Inrockuptibles)<\/b><\/span><\/p>\n

Ses mondes int\u00e9rieurs existent comme peu de musiques savent exister. <\/i>(Le Monde la Musique)<\/b><\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb6082″ img_size=\u00a0\u00bbmedium\u00a0\u00bb alignment=\u00a0\u00bbright\u00a0\u00bb style=\u00a0\u00bbvc_box_shadow\u00a0\u00bb css_animation=\u00a0\u00bbappear\u00a0\u00bb img_fullwidth=\u00a0\u00bb0″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row iron_row_type=\u00a0\u00bbin_container\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bb\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bb\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bb\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb75px\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row content_placement=\u00a0\u00bbmiddle\u00a0\u00bb iron_row_type=\u00a0\u00bbfull_width\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bb\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bb\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bbparallax\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1532355321985{padding-top: 165px !important;padding-bottom: 165px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00a0\u00bb][vc_column][\/vc_column][\/vc_row][vc_row iron_row_type=\u00a0\u00bbfull_width\u00a0\u00bb iron_remove_padding_medium=\u00a0\u00bbtabletnopadding\u00a0\u00bb iron_remove_padding_small=\u00a0\u00bb\u00a0\u00bb iron_overlay_pattern=\u00a0\u00bb\u00a0\u00bb iron_parallax=\u00a0\u00bb\u00a0\u00bb iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1452106591529{padding-right: 10px !important;padding-left: 10px !important;}\u00a0\u00bb][vc_column][vc_row_inner iron_bg_video=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1532356283196{background-color: #000000 !important;}\u00a0\u00bb][vc_column_inner width=\u00a0\u00bb1\/2″][vc_custom_heading text=\u00a0\u00bbDaniel Goyone – \u00a0\u00bb font_container=\u00a0\u00bbtag:h4|font_size:18px|text_align:justify|color:%23dddddd|line_height:11px\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:900%20bold%20regular%3A900%3Anormal\u00a0\u00bb fit_bg_text=\u00a0\u00bb0″ el_class=\u00a0\u00bb.costumespacing1″ css=\u00a0\u00bb.vc_custom_1532611675943{margin-bottom: -15px !important;}\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1535979198683{margin-right: 4px !important;}\u00a0\u00bb]Depuis son premier disque paru en 1982, Daniel Goyone a d\u00e9velopp\u00e9 un univers de compositeur \u00e0 l’\u00e9cart des classifications musicales habituelles. Pianiste issu du monde du jazz, il a ensuite \u00e9t\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/pages\/6525"}],"collection":[{"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/comments?post=6525"}],"version-history":[{"count":2,"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/pages\/6525\/revisions"}],"predecessor-version":[{"id":6527,"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/pages\/6525\/revisions\/6527"}],"wp:attachment":[{"href":"https:\/\/danielgoyone.com\/fr\/wp-json\/wp\/v2\/media?parent=6525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}