{"id":6916,"date":"2019-04-21T11:38:09","date_gmt":"2019-04-21T09:38:09","guid":{"rendered":"http:\/\/danielgoyone.com\/?p=6916"},"modified":"2019-04-21T11:39:03","modified_gmt":"2019-04-21T09:39:03","slug":"2-8","status":"publish","type":"post","link":"https:\/\/danielgoyone.com\/en\/2-8\/","title":{"rendered":"FRENCH JAPAN : TORU TAKEMITSU"},"content":{"rendered":"<p>Chef de file de la musique japonaise contemporaine, curieusement peu connu en France, le compositeur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/T\u014dru_Takemitsu\" target=\"_blank\" rel=\"noopener\">Toru Takemitsu<\/a> (1930\/ 1996) reste \u00e0 d\u00e9couvrir.<\/p>\n<p>Sa musique, bien qu\u2019enracin\u00e9e dans sa culture japonaise,\u00a0t\u00e9moigne d\u2019une vocation universelle et, plus particuli\u00e8rement, d\u2019une parent\u00e9 \u00e9tonnante avec des compositeurs comme Claude Debussy, Olivier Messiaen et m\u00eame Erik Satie dont il a transcrit <i>Le Fils des Etoiles<\/i> pour un duo fl\u00fbte\/harpe.<\/p>\n<p>Toru Takemitsu est l\u2019auteur d\u2019une \u0153uvre abondante, aux couleurs orchestrales subtiles et raffin\u00e9es. Mais c\u2019est encore dans la musique de chambre que je le pr\u00e9f\u00e8re. Son sens tout oriental de l\u2019\u00e9pure s\u2019y allie \u00e0 merveille aux couleurs harmoniques de la musique fran\u00e7aise.<\/p>\n<p>Ainsi\u00a0 <i><a href=\"https:\/\/www.youtube.com\/watch?v=b7m72TJlzaI\" target=\"_blank\" rel=\"noopener\">Air<\/a>,<\/i>\u00a0 composition pour fl\u00fbte solo, et derni\u00e8re \u0153uvre qu\u2019il ait compos\u00e9e, constitue un magnifique pendant au <i>Syrinx<\/i> de Debussy.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/b7m72TJlzaI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Autre tr\u00e8s belle musique qui m\u00e9rite d\u2019\u00eatre d\u00e9couverte : <a href=\"https:\/\/www.youtube.com\/watch?v=7vOmGhYG0BY\" target=\"_blank\" rel=\"noopener\"><i>And then I Know \u2019twas Wind\u00a0 <\/i><\/a>\u00e9crite\u00a0pour un trio fl\u00fbte, harpe, violon alto. La voici dans une excellente interpr\u00e9tation de l\u2019Ensemble Intercontemporain.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7vOmGhYG0BY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chef de file de la musique japonaise contemporaine, curieusement peu connu en France, le compositeur Toru Takemitsu (1930\/ 1996) reste \u00e0 d\u00e9couvrir. Sa musique, bien qu\u2019enracin\u00e9e dans sa culture japonaise,\u00a0t\u00e9moigne d\u2019une vocation universelle et, plus particuli\u00e8rement, d\u2019une parent\u00e9 \u00e9tonnante avec des compositeurs comme Claude Debussy, Olivier Messiaen et m\u00eame Erik Satie dont il a transcrit Le Fils des Etoiles pour un duo fl\u00fbte\/harpe. Toru Takemitsu est l\u2019auteur d\u2019une \u0153uvre abondante, aux couleurs orchestrales subtiles et raffin\u00e9es. Mais c\u2019est encore dans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50],"tags":[],"_links":{"self":[{"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/posts\/6916"}],"collection":[{"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/comments?post=6916"}],"version-history":[{"count":12,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/posts\/6916\/revisions"}],"predecessor-version":[{"id":6929,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/posts\/6916\/revisions\/6929"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/media\/6917"}],"wp:attachment":[{"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/media?parent=6916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/categories?post=6916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/danielgoyone.com\/en\/wp-json\/wp\/v2\/tags?post=6916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}